Sub-Saharan Africans have had a distinct way of living throughout history that has been obscured by the more powerful civilizations that rule the world today. As the Western civilization started intruding the different African cultures, their social structure started collapsing and their history became a very violent one. The world, including isolated African regions, tends to see the Western type of living as the correct, and perhaps understands some aspects of other major civilizations, like the Chinese or Indian, but many features of African societies are misunderstood and wrongly observed as primitive. As I watched episode five of
The Story of English, I noted how many African languages used singing and music as part of their communication. I remembered from a (boring) SAT practice passage I had read long ago that African music cannot be studied or understood as Western music is--it should be seen instead from a linguistic point of view. So I guess I'll try.
Around 70,000 years ago,
Homo sapiens started to move out of Africa, making the story of humankind to begin bifurcating for the first time. The original population of humans divided into two groups: those who stayed and those who left. The ones who left eventually branched off to populate the rest of the world, but for a while, they remained as the groups which the powerful civilizations of the present may call ancestors. Those who left built their way of living as their migrated to different continents, but those who stayed in Africa didn't need to adapt much. When comparing genetics, there is Africa and then the rest of the world. I will refer to Sub-Saharan Africans as just Africans, which otherwise could include Northern Africans which came from those who left and then went back many thousands of years later.
The static circumstances of African culture kept people from needing something more of it. While in places like Europe more technology was necessary for surviving, simple tribal structures allowed Africans to live just fine. However, as most humans do, they did want entertainment. They did need to persuade others of political ideas or change their ways of living, but they did need to have some sort of amusement and to connect with family members. The only thing that was needed from language was to be fun and to keep the communities together. I don't know the origin of music or singing, but at some point of African history it started to merge with language as it was a solution for what Africans wanted. Perhaps it was also like that outside Africa but other problems of live forced people to change their community life and eventually drop the importance of musical rituals. Most African languages are tonal languages, meaning that pitch is a part of their speech and that it determines the meaning of words (like saying
to present vs saying
a present). Understanding this concept might be difficult for English speakers as the language is more technical and, for some time, less flexible. The way I get it might sound silly, but the original African languages were sort of chants that could mix well with music. Rather than having melodies, original African songs were simply methods of communication putting more emotion into the rhythm. The music of community rituals was speaking in a more artistic way.
The Gullah woman on
The Story of English (parts I and II) makes her family sing and dance like slaves used to do as a way to pass on her African heritage to the next generations, using oral tradition as common in Africa. Just like African tribes used to gather around in musical rituals, the woman uses music as part of communicating with her ancestors. African communication goes way beyond the cold Nordic purely verbal relationships--it is about showing emotions vividly. As you can see in Colombia, regions influenced the most by Africans have warmer relations, like in the coast, but the far away mountain cities that didn't have slaves have a distant way of interacting, like in Bogota. I can certainly witness that interactions between Puerto Ricans are very direct, warm, emotive and use tone (and volume) as a way to show one's feeling. My mom believes she can justify yelling by saying it's her "Puerto Rican tone," one which allows you to talk mockingly, daringly and fervently.

As the TV series showed, because of the social circumstances in which African culture came into America, racist people burden aspects of its language. The whole structure of having a "superior" class makes As I watched the Gullah people on the show, I remembered reading an article about the Melungeon, an ethnic group (with dark skin) of Southeastern America who were lately devastated to find out that they were not descendant of the Portuguese or Turkish immigrants who somehow might have arrived in colonial times. After having their DNA checked out,
Melungeons found out they descend from Africans. How come?
The dislike of African Americans was pointless and didn't keep the immigrant culture from influencing the new one. The community musical traditions of many African cultures mixed together to form a new one that slaves did in plantations, as the Gullah woman says. African Americans brought a more musical way of living to the New World that eventually lead to new genres of music. Episode five showed African tribes' music and later on all the types of music that came from it (part II 3:16). American mainstream music through the past century has been greatly affected by Black artists. Just like
The Story of English shows in parts V, VI and VII, the Harlem Renaissance and all the rap movement has had African influences. English wouldn't be what it's now if Africans had never gotten to America.
Source:
"Black on White." The Story of English. Wrti. Robert MacNeil, Robert McCrum and William Cran. MacNeil-Lehrer Productions and BBC, 1986. Youtube.